Remote Viewing — Inspiration for Writers

More from the Indi­ana Jones, writ­ers, and CIA .…

Remote View­ing Novel Links Star Wars Actor, Indi­ana Jones Writer

Work_Overload“We’re in an era where peo­ple are look­ing for ways to com­pete with­out drop­ping bombs,” Williams noted. “And this is one of the avenues peo­ple are exam­in­ing. So I, at least, found it a very intrigu­ing kind of sub­ject mat­ter, espe­cially for television.”

The end of the gov­ern­ment research pro­grams also offered a bonus to writ­ers. “After the C.I.A.‘s top secret pro­gram ended, these peo­ple [the remote view­ers] were finally free to talk,” Mac­Gre­gor said. “Some of them set up Web sites, and they were very acces­si­ble and open to talk­ing about what they had been involved with.”

Williams and Mac­Gre­gor decided to focus their ini­tial efforts on a book that would com­bine the real­i­ties of remote view­ing with the eclec­tic, action-oriented char­ac­ter Williams wanted to play. The result­ing novel, PSI/Net, debuted at Drag­onCon on July 1.

PSI/Net takes up where the C.I.A.‘s remote view­ing pro­gram ended in Novem­ber 1995,” Mac­Gre­gor told reporters at the book’s Drag­onCon launch. “The idea is, even though the gov­ern­ment sup­pos­edly is no longer involved in psy­chic espi­onage, the psy­chics — most of whom were mil­i­tary offi­cers who retired when the pro­gram ended — still have their abilities.”

The book fol­lows the story of one par­tic­u­lar retired Air Force major and remote viewer, Trent Cal­loway. “Trent has an expe­ri­ence in which he sees num­bers that related to the num­bers used in the remote view­ing pro­gram,” Mac­Gre­gor con­tin­ued. “For him, those num­bers trans­lated to the White House, but the White House five days in the future, after a back­pack nuclear bomb had exploded in Wash­ing­ton, D.C.”

This gives Trent five days to con­vince the Secret Ser­vice and the F.B.I. that his vision is real, and stop the bombers.

Williams views Trent as a kind of cen­trifu­gal force. “He’s the piv­otal char­ac­ter around which every­thing revolves,” Williams said. As an actor, Williams rel­ishes the inter­nal con­flicts Trent devel­ops as a result of being both a mil­i­tary man and a remote viewer.

To raise the poten­tial for exter­nal con­flicts, Williams and Mac­Gre­gor did take one lib­erty with their research. “One of the dif­fer­ences between the actual pro­gram and the one in the book is that [the fic­tional remote view­ers] were given a drug to enhance their psy­chic abil­i­ties, which allowed us to move up a notch or two in their abil­i­ties. As a result the whole group are con­nected in a psy­chic nexus, and it’s dri­ving them crazy — espe­cially when they’re split into two groups, and one of the groups becomes involved in the bomb­ing,” Mac­Gre­gor said.

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