This is build­ing on  my pre­vi­ous post, Remote View­ing Inspires Breath­tak­ing Archi­tec­ture…

Tap into your creativity!

An Artist Remote Views His Art

The Art of Remote View­ing Art

by Den­nis Arbour

A lit­tle over three years ago, I began my train­ing to become a Tech­ni­cal Remote Viewer with the intu­ition that my choice was cor­rect. I fell into the daily prac­tice, fired by the desire to search this tech­nol­ogy thor­oughly and under­stand its content.

From the begin­ning, I found noth­ing short of per­sonal aston­ish­ment in the fact that it truly worked. I found myself in the posi­tion of being a “kid in a candy shop”, and I have yet, even today, to shake off my won­der and amaze­ment of TRV.

In my first year of train­ing, I began my own Opti­mum Tra­jec­tory after I was famil­iar enough with the TRV pro­to­cols that are the base and foun­da­tion for a BIGGER view: Advanced tools and refined skill lev­els. Of course, at first we as view­ers have doubts towards data that comes out of ses­sions, for in the begin­ning we are walk­ing in a new ter­rain, and espe­cially when that ter­rain is the area of mind. But we learn to put our doubts aside and belay our analy­sis in the actual process of TRV.

Bar­ring men­tion of other things that I per­ceived, I was a bit amazed–and also upset–at my own Opti­mum Tra­jec­tory. Being an artist all my life, and hav­ing it come up in a ses­sion upon such a seri­ous endeavor, it came across as my own wish­ful think­ing that my own Opti­mum Money gen­er­at­ing activity.…would be art. The very thing, how­ever, that made this DIFFERENT was that it pointed in an area that I had always avoided in art.

As all artists gen­er­ally do, we strain towards our abil­ity to paint a “thing like a thing, an apple like an apple”, attempt­ing to “up” our skills to cap­ture what the eye sees and repro­duce it on can­vas as it “looked”. MY Opti­mum Tra­jec­tory was sug­gest­ing that I was about to enter the world of some­thing that rep­re­sented or sym­bol­ized a thing.…abstracted…and not any­thing I was even remotely famil­iar with as a paint­ing in art. It was abstrac­tion, sym­bol­ism, and impres­sions of a “thing” that seemed to be sug­gested. This was a ter­ri­tory that I was totally unfa­mil­iar with, but sug­gested that A NEW FORM OF ART WOULD OCCUR.

Curi­ous, hes­i­tant, intrigued and even affronted by such a sug­ges­tion, I also had to accept that the ses­sions were intro­duc­ing the idea that TRV was also involved; although at first it seemed that there were TWO paths of my Opti­mum Tra­jec­tory: One for art and one for TRV. Oddly, they seemed to walk hand in hand, and also “of themselves”.

I spent a con­tin­u­ous effort on pur­su­ing this mys­tery, and not long after­ward a curi­ous thing hap­pened: my staged draw­ings in ses­sions abruptly CHANGED in how they were drawn and took on a new, loose, and flow­ing style. This occurred in approx­i­mately Jan­u­ary 2003, six months into my training.

In the search for this elu­sive and baf­fling art form wait­ing to be “found”, I began to explore by hon­ing my art skills and sim­pli­fy­ing many brush strokes into few and cre­at­ing a group of works called “speed paint­ings”, as they were done in three to four hours of nat­ural subjects.

By March, 2003, I had enough of a real­iza­tion to under­stand that the very ses­sion draw­ings that I was doing resem­bled the “abstrac­tion, sym­bol­ism, and impres­sion” that I had been look­ing for…and were ripe forms for “ART”. On March 21, 2003, I attempted the first–a paint­ing called “Iraqi War”, that is now the foun­da­tion paint­ing for TRV ART. Clearly, this piece showed that sim­ple lines and col­ors could depict a theme and be extremely active!

I con­tin­ued many ses­sions aimed at this phe­nom­ena and my Opti­mum Tra­jec­tory in the strug­gle to “real­ize” the true form that is now TRV ART, as true opti­mum tra­jec­to­ries of one’s life should be done on a con­tin­ued basis to clearly stay on the trail. I found that this new “art form” was truly some­thing that his­tor­i­cally had never been done before, based on ses­sions, and then trans­ferred to can­vas in sym­bolic, rep­re­sen­ta­tional gestalt sym­bols, arche­typal rep­re­sen­ta­tions, which are the “abstract” sym­bols of real things viewed through TRV.

In short, they are abstracted forms as sym­bols of REAL things in exis­tence. I sud­denly found myself, a real­ist painter, cre­at­ing a new type of art based on TRV. As the move­ments in ART before us–the clas­si­cal­ists, the impres­sion­ists, the abstract sub­jec­tive painters–now comes a type of paint­ing that is based on “objec­tively” observ­ing some­thing at a dis­tance and paint­ing it in abstracted form. Until now, there has been no such thing in art as “abstract objective”.

The Opti­mum Tra­jec­to­ries showed the cre­ation, devel­op­ment, actions, tran­si­tion and progress of this new art form to its cur­rent state in a website.…and beyond. What HAS occurred by fol­low­ing this is the dis­cov­ery and intro­duc­tion of an entirely new form of art, AND is a liv­ing, pos­i­tive, “poster child” proof of TRV and Opti­mum Tra­jec­to­ries. I say “liv­ing” because it is con­tin­u­ing even as I write and will unfold further.

If a “holy-wise man-prophet-seer” had sud­denly burst into the room and told one of this future, it would seem unreal, as a dream, out of fan­tasy and a sto­ry­book tale. As TRVers, we have gained that very insight to see that these things are built in incre­ments fol­low­ing an Opti­mum Trajectory.

Do you think I would have ever believed almost three years ago that I would dis­cover a new art form and we would pro­duce a web­site intro­duc­ing it? All based on such a pow­er­ful mind tool as TRV?

   I wel­come you all to the extra­or­di­nary jour­ney of TRV ART and the new web­site! New art­works are in pro­duc­tion and will be added on a reg­u­lar basis.

   To view this incred­i­ble new art form based on TRV pro­to­cols, go to TRV ART (http://www.trvart.com). This is an exam­ple of what can come from fol­low­ing your Opti­mum Tra­jec­tory, trust­ing your data that this is truly your opti­mum path in life, and fol­low­ing that path to fruition.