Now here’s some­thing we don’t talk about very often.  Artists and remote view­ing. It seems that ESP and remote view­ing have a rep­u­ta­tion for attract­ing con­spir­acy the­o­rists and weirdos.  But this isn’t true at all.

Dancers, painters, writ­ers, and artists of all sorts have always been in tune with their more spir­i­tual and psy­chic abil­i­ties. Which is of course amaz­ing but here’s where the prob­lem arises.  Because they are not always aware of their abil­i­ties they may be trans­mit­ting their ideas to other peo­ple. Artists with bril­liant ideas and vision can become vic­tims to this phenomenon.

Just pic­ture this: you’re an amaz­ing artist on the up and up and you’ve got a genius idea for a paint­ing.  You’re just wait­ing for some money to come through so you can get your sup­plies. But as you’re walk­ing past a pres­ti­gious art gallery  you see your paint­ing, your idea, down to the very last detail hang­ing in the window.

A psy­chic pirate can cause just as much dam­age  as any other thief. This is some­thing we need to look into and pro­tect our­selves from.

Gifted Artists and ESP: Quan­tum leap in the arts.

Extremely gifted peo­ple, dancers among them, are devel­op­ing the psy­chic gift of telepa­thy as part of this evo­lu­tion­ary process so many of us refer to as our spir­i­tual rev­o­lu­tion. In The Con­scious Uni­verse: The Sci­en­tific Truth of Psy­chic Phe­nom­ena, Dean I. Radin writes that artis­ti­cally gifted peo­ple might have an edge on appar­ently anom­alous cog­ni­tion, claim­ing that the con­nec­tion between anom­alous cog­ni­tion and cre­ativ­ity is seen in their capac­ity for dis­ci­pline and focus, and in the fact that artis­ti­cally gifted peo­ple have unusual access to uncon­scious imagery, along with unusual free­dom to bypass the bar­ri­ers that pre­vent such imagery from enter­ing every­day con­scious­ness. (p. 201)

As Radin explains it has been known for quite some time that the CIA used ESP to see dis­tant strate­gic loca­tions through gov­ern­ment spon­sored remote-viewing research, even if after mil­lions of dol­lars spent the CIA offi­cially declared that there was no value what­so­ever to remote view­ing. Sim­i­larly, suc­cess­ful entre­pre­neurs and invest­ment ana­lysts admit that psy­chic tech­niques, espe­cially pre­cog­ni­tion, are begin­ning to play an increas­ingly impor­tant role on Wall Street. (pp. 201–226) Sim­i­larly we would expect that in the arts ESP my bring numer­ous ben­e­fits to artists. But are these really benefits?

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